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Caprice no. 27


Number 27 is definitely more on the Etude spectrum in this book of Caprices. 

One of the main temptations is to go into higher positions for the octave passagework. Examples include measures 9 and 15, and the long run from mm. 18-35. Notice that at measure 36, Campagnoli finally writes fingering that inches you up the fingerboard, one position per measure. This is very intentional: it was customary in this period to play everything in first position unless otherwise marked, or impossible to play it any other way. 

I found it harder to play the caprice in the intended first position at times, because one has to do more string crossings - and it also challenges the left hand intonation. Think of it as eating your vegetables, fellow violists. Happy etuding!







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Introduction

Background Two years ago, I assigned one of Bartolomeo Campagnoli's 41 Caprices for Viola, Op. 22 to a student of mine. At our lesson the following week, she told me she had searched for a recording online but couldn't find one. Listening to assigned pieces is a regular exercise for her (as for many of my students), and the fact that she couldn't find a recording hindered her progress that week. I went home that evening and began searching online for recordings of the caprices, and found they were sadly lacking. Campagnoli's Caprices for Viola are as difficult and musical as Paganini's 24 Caprices for Violin, yet as scarce as Paganini's are popular in representation. That's when I realized someone needed to change that. In fact, I could change it. I thought up a far-fetched dream to record all forty-one caprices. After practicing some of my favorite caprices and realizing their true difficulty, I got discouraged and put the thought away for a w...