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Caprice no. 30


Caprice number 30 reminds me of J.S. Bach's Sheep May Safely Graze. I think it's because of the pulsing harmony, present in the dotted sixteenth notes. And just like the Bach, this caprice moves along in rhythm while still projecting a harmonic sense of calm.

It wasn't all calm in my head when I was performing this however - there were a few nervous spots, the most notable one being at measure 18, where one is supposed to sound placid while hitting a fingered tenth on the viola. And since my viola is 16 3/8 inches and I'm only 5'6 (albeit with long arms), this was not an easy ask. Listening objectively, I would have lingered longer on that dissonant tenth, which is part of a beautiful chord progression. But physically I didn't feel like I could without risking intonation!

Another spot to watch out for: the long double-stop passage from mm. 25-32.  It gets going in measure 29, and you'd better have your muscle memory in place, even if you're using music.

But overall, I love this caprice. Another beautiful aria for the viola!





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Introduction

Background Two years ago, I assigned one of Bartolomeo Campagnoli's 41 Caprices for Viola, Op. 22 to a student of mine. At our lesson the following week, she told me she had searched for a recording online but couldn't find one. Listening to assigned pieces is a regular exercise for her (as for many of my students), and the fact that she couldn't find a recording hindered her progress that week. I went home that evening and began searching online for recordings of the caprices, and found they were sadly lacking. Campagnoli's Caprices for Viola are as difficult and musical as Paganini's 24 Caprices for Violin, yet as scarce as Paganini's are popular in representation. That's when I realized someone needed to change that. In fact, I could change it. I thought up a far-fetched dream to record all forty-one caprices. After practicing some of my favorite caprices and realizing their true difficulty, I got discouraged and put the thought away for a w...