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Caprice no. 35


Lighthearted and fun, Caprice no. 35 is an example of a piece that doesn't exactly scream viola. (To my non-violist readers: our instrument is usually trotted out for a slow, melancholy number.) I'm glad that Campagnoli expanded the realm of possibility for our instrument, even if his ideas didn't stick for the next 100+ years.

I like how every section in this piece has its own special touch of buffoonery. Variation 3 (measure 17) mimics the beginning Theme, but the low register makes it rather burdensome, and a little silly. Variation 10 (measure 73) is supposed to sound sad, but the repeated returns to the "A" harmonic, and the little soprano run at the end (mm. 79-80) give it an air of mockery. And the da capo turn at the end goes from an over-deflated/defeated minor section, to a just-kidding, flippant ending. For just a few examples.

So have fun with it, and enjoy the relative ease of this piece. No major technical curveballs here!



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Introduction

Background Two years ago, I assigned one of Bartolomeo Campagnoli's 41 Caprices for Viola, Op. 22 to a student of mine. At our lesson the following week, she told me she had searched for a recording online but couldn't find one. Listening to assigned pieces is a regular exercise for her (as for many of my students), and the fact that she couldn't find a recording hindered her progress that week. I went home that evening and began searching online for recordings of the caprices, and found they were sadly lacking. Campagnoli's Caprices for Viola are as difficult and musical as Paganini's 24 Caprices for Violin, yet as scarce as Paganini's are popular in representation. That's when I realized someone needed to change that. In fact, I could change it. I thought up a far-fetched dream to record all forty-one caprices. After practicing some of my favorite caprices and realizing their true difficulty, I got discouraged and put the thought away for a w...